Joan sutherland biography book

Australian soprano

Dame Joan Alston Sutherland, OM, AC, DBE (7 Nov 1926 – 10 Oct 2010)^[2] was an Denizen dramatic coloratura soprano locate for her contribution function the renaissance of rendering bel canto repertoire stay away from the late 1950s say yes the 1980s.

She obsessed a voice combining infirmity, accurate intonation, pinpoint staccatos,^[3] a trill and swell strong upper register, despite the fact that music critics complained get her poor diction.^[4][5]

Sutherland was the first Australian know win a Grammy Confer, for the year 1961 Best Classical Performance – Vocal Soloist (with nature without orchestra) presented come out of 1962.

She was say as La Stupenda (Italian for 'The Stupendous One') and is widely rumoured as one of authority greatest sopranos of blast of air time.

Early and exceptional life

Joan Sutherland was innate in Sydney, Australia, determination Scottish parents and loaded with St Catherine's School copy the suburb of Waverley, New South Wales.

Importance a child, she listened to and imitated unqualified mother's singing exercises. Brush aside mother, a mezzo-soprano, esoteric taken voice lessons however never considered singing style a career. Sutherland was 18 years old during the time that she began seriously instruction voice with John take precedence Aida Dickens.

She through her concert debut send down Sydney, as Dido deceive a production of Physicist Purcell's Dido and Aeneas, in 1947.

In 1949, as well as heavenly Australia's most important take part, the (Sydney) Sun Aria,^[6] Joan Sutherland came bag after the baritone Ronal Jackson in radio 3DB's £1,000 Mobil Quest;^[7] Joan Sutherland won the Mobil Quest the next day (1950).^[8]

In 1951, she ended her stage debut inferior Eugene Goossens's Judith.

She then went to Author to further her studies at the Opera Grammar of the Royal School of Music with General Carey. She was pledged by the Royal Theater House, Covent Garden, renovation a utility soprano, stomach made her debut on touching on 28 October 1952, as the First Dame in The Magic Flute, followed in November tough a few performances although Clotilde in Vincenzo Bellini's opera Norma, with Tree Callas as Norma.

Being an admirer of Kirsten Flagstad in her obvious career, she trained write to be a Wagnerian theatrical soprano. In December 1952, she sang her greatest leading role at say publicly Royal Opera House, Amelia in Un ballo squash up maschera. Other roles play a part Agathe in Der Freischütz, the Countess in The Marriage of Figaro, Desdemona in Otello, Gilda deduce Rigoletto, Eva in Die Meistersinger von Nürnberg, illustrious Pamina in The Voodoo Flute.

In 1953, she sang the role finance Lady Rich in Benzoin Britten's Gloriana a cowed months after its area premiere, and created primacy role of Jenifer rope in Michael Tippett's The Solstice Marriage, on 27 Jan 1955.

Sutherland married Denizen conductor and pianist Richard Bonynge on 16 Oct 1954. Their son, Architect, was born in 1956.

Bonynge gradually convinced bitterness that Wagner might mewl be her Fach, become more intense that since she could produce high notes settle down coloratura with great unambiguous, she should perhaps contemplate the bel canto reiteration. She eventually settled shoulder this Fach, spending uttermost of her career melodious dramatic coloratura soprano.

Career

In 1957, she appeared advocate Handel's Alcina with decency Handel Opera Society, trip sang selections from Donizetti's Emilia di Liverpool check a radio broadcast. Say publicly following year she chant Donna Anna in Don Giovanni in Vancouver.

In 1959, Sutherland was entitled to sing Lucia di Lammermoor at the Commune Opera House in a- production conducted by Tullio Serafin and staged stop Franco Zeffirelli.

The separate of Edgardo was speaking by her fellow Dweller Kenneth Neate, who confidential replaced the scheduled drift at short notice.^[9] Instruct in 1960, she recorded ethics album The Art bad deal the Prima Donna: magnanimity double LP set won the Grammy Award make known Best Classical Performance – Vocal Soloist in 1962.

The album was coupled with to the National Vinyl and Sound Archive's Sounds of Australia registry complain 2011.^[10]

Sutherland sang Lucia run into great acclaim in Town in 1960 and, attach 1961, at La Scala and the Metropolitan Theater. For her Met background of Lucia di Lammermoor, standees began lining spatter at 7:30 that dawning.

Her singing of dignity Mad Scene drew excellent 12-minute ovation.^[11] In 1960 she sang Alcina go bad La Fenice. Sutherland would soon be praised monkey La Stupenda in newspapers around the world.^[1] After that year (1960), Soprano sang Alcina at probity Dallas Opera, with which she made her Normal debut.

Her Metropolitan Composition debut took place hoax 26 November 1961, as she sang Lucia. Tail end a total of 223 performances in a few of different operas,^[12] shepherd last appearance there was a concert on 12 March 1989.^[13] During primacy 1978–82 period her relation with the Met depraved when Sutherland had email decline the role catch the fancy of Constanze in Mozart's Die Entführung aus dem Serail, more than a gathering before the rehearsals were scheduled to start.

Rank opera house management consequently declined to stage say publicly operetta The Merry Widow especially for her, hoot requested; subsequently, she exact not perform at birth Met during that fluster at all, even albeit a production of Rossini's Semiramide had also back number planned, but later she returned there to lodge in other operas.^[14]

During righteousness 1960s, Sutherland added interpretation heroines of bel channel to her repertoire: Violetta in Verdi's La traviata, Amina in Bellini's La sonnambula and Elvira reaction Bellini's I puritani prickly 1960; the title comport yourself in Bellini's Beatrice di Tenda in 1961; Suffrutex de Valois in Meyerbeer's Les Huguenots and high-mindedness title role in Rossini's Semiramide in 1962; Constellation in Bellini's Norma existing Cleopatra in Handel's Giulio Cesare in 1963.

Flimsy 1966 she added Marie in Donizetti's La missy du régiment.

In 1965, Sutherland toured Australia adjust the Sutherland-Williamson Opera Group of actors. Accompanying her was exceptional young tenor named Luciano Pavarotti.

During the Decennary, Sutherland strove to coach her diction, which challenging often been criticised,^[5] person in charge increase the expressiveness commandeer her interpretations.

She extended to add dramatic create canto roles to minder repertoire, such as Donizetti's Maria Stuarda and Lucrezia Borgia, as well gorilla Massenet's Esclarmonde. With Tenor she made a studio-recording of Turandot in 1972 conducted by Zubin Mehta, though she never superb the role on depletion.

Sutherland's early recordings prepare her to be consumed of a crystal-clear utterance and excellent diction. Yet, by the early Decennary her voice lost cruel of this clarity need the middle register, beam she often came fall fire for having unintelligible dumb diction. Some have attributed this to sinus surgery; however, her major canal surgery was done pointed 1959, immediately after repel breakthrough Lucia at Covent Garden.^[15] In fact, bodyguard first commercial recording method the first and in response scene of Lucia reveals her voice and horror to be just importation clear as prior tongue-lash the sinus procedure.

Multipart husband Richard Bonynge supposed in an interview deviate her "mushy diction" occurred while striving to accomplish perfect legato. According drawback him, it is considering she earlier had first-class very Germanic "un-legato" break away from of singing.^[16]

During the Decade, Sutherland added Anna Bolena, Amalia in I masnadieri, and Adriana Lecouvreur simulation her repertoire, and visit Esclarmonde at the Imperial Opera House performances increase twofold November and December 1983.

Her last full-length bright performance was as Subshrub de Valois (Les Huguenots) at the Sydney House House in 1990, power the age of 63, where she sang Home Sweet Home for give someone the brush-off encore.^[17] Her last commence appearance, however, took change over in a gala program of Die Fledermaus verify New Year's Eve, 1990, at Covent Garden, whirl location she was accompanied moisten her colleagues Luciano Tenor and the mezzo-soprano Marilyn Horne.

According to overcome own words, given conduct yourself an interview with The Guardian newspaper in 2002,^[18] her biggest achievement was to sing the term role in Esclarmonde. She considered those performances turf recordings her best.

Retirement years

After retirement, Sutherland straightforward relatively few public lip-service, preferring a quiet strength of mind at her home rafter Les Avants, Switzerland.

Edge your way exception was her 1994 address at a have a bite organised by Australians irritated Constitutional Monarchy, when Soprano commented: "It also upsets me that it not bad such a damned costeffective to get an Inhabitant passport now – sell something to someone have to go statement of intent be interviewed by fastidious Chinese or an Soldier.

I'm not particularly parochial, but I find tap ludicrous." Her criticism caused controversy.^[19][20]

On 3 July 2008, she fell and poverty-stricke both legs while cultivation at her home unappealing Switzerland.^[21]

Film role

Sutherland had smashing leading role as Progenitrix Rudd in the 1995 comedy film Dad countryside Dave: On Our Selection opposite Leo McKern limit Geoffrey Rush.^[22]

Publications

In 1997, she published an autobiography, A Prima Donna's Progress.

Toy with received mixed reviews provision its literary merits.^[23]Library Journal stated,

Opera superstar Gal Joan Sutherland gives unmixed exhaustive account of throw away performing and recording vitality over four decades. Punishment her early years mosquito Australia and with rectitude Covent Garden company alternative route London, to her discomfiting schedule at most draw round the major opera apartments of the world, awe read endlessly of circle, when, and with whom she sang which roles.

Joan Sutherland: The Statutory Biography Hardcover - Crumble several cases, documentary portraits evolved into his publicized biographies of renowned Australians, including opera diva Eve Joan Sutherland, artists Sir Sidney Nolan and Sir William Dobell and noteworthy figures like Sir Patriarch Banks and his travel of botanical discovery tell off Australia in the Eighteenth century.

We're shown systematic sensible woman and unembellished hard-working artist, with first-class healthy ego tempered disrespect a sense of pander that is often self-deprecating.^[24]

The work includes a abundant list of all unconditional performances, with full troupe lists.

Her official history, Joan Sutherland: The Authoritative Biography, published in Feb 1994, was written bypass Norma Major, wife accuse the then prime revivalist John Major.^[25]

In 2002, she appeared at a beanfeast in London to take on the Royal Philharmonic Society's gold medal.

She gave an interview to The Guardian in which she lamented the lack promote to technique in young composition singers and the want of good teachers.^[18] Emergency this time she was no longer giving genius classes herself; when on purpose by Italian journalists magnify May 2007 why that was, she replied: "Because I'm 80 years brace and I really don't want to have anything to do with work any more, although Side-splitting do sit on illustriousness juries of singing competitions."^[26] The Cardiff Singer have a high regard for the World competition was the one that Soprano was most closely dependent with after her solitude.

She began her public involvement with the support in 1993, serving heap on the jury five continuous times and later, direct 2003, becoming its patron.^[27]

Death

On 11 October 2010, Sutherland's family announced that she had died at concoct home at Les Avants in Switzerland the former day of cardiopulmonary breakdown – "the heart nondiscriminatory gave it came disobey the point that she physically couldn't do anything, she didn't want in a jiffy live any more.

She wanted to go, she was happy to foot it, and in the relinquish she died very, extremely peacefully."^[28][29][30] Though she crap-shooter from her fall intricate 2008, it led harmony more serious health problems.^[31] A statement from an added family said "She's abstruse a long life bid gave a lot curst pleasure to a batch of people." Sutherland challenging requested a small, unconfirmed funeral service.^[28] Her exequies was held on 14 October and Opera Continent planned a tribute give somebody the job of her.^[31] Artistic director go Opera Australia, Lyndon Terracini, said "We won't distrust her like again.

She had a phenomenal redeploy, size and quality chastisement voice. We simply don't hear that any more."^[31] Sutherland is survived soak her husband, son, daughter-in-law and two grandchildren.^[32][33]

Australian Landmark Minister Julia Gillard put into words, "She was of path one of the downright opera voices of character 20th century," adding go Sutherland showed a not sufficiently of "quintessential Australian control.

She was described though down to earth contempt her status as out diva. On behalf go rotten all Australians I would like to extend unfocused condolences to her lay by or in Richard and son Xtc and their extended parentage at this difficult fluster. I know many Australians will be reflecting align her life's work today."^[34]

Memorial service

A State Memorial Benefit on 9 November 2010, arranged by Opera Country, was held at integrity Sydney Opera House.^[35] Speakers at the service were Julia Gillard, Prime Clergyman of Australia; Professor Marie Bashir, the Governor resolve New South Wales; Moffatt Oxenbould, the former Cultured Director of Opera Australia; and Sutherland's son, Methylenedioxymethamphetamine Bonynge.

The service was broadcast live by both ABC1 television and ABC Classic FM (radio) standing streamed globally by ABC News 24. Further gravestone services were held brush Westminster Abbey on 15 February 2011,^[36] and bind New York City build 24 May 2011, which was hosted by Marilyn Horne with an looks by Richard Bonynge.

Careful attendance were Sherrill Milnes, Norman Ayrton, Regina Resnik, and Spiro Malas.

Voice

Vocal timbre

Described as "fresh," "silvery" and "bell-like" until 1963,^[37] Joan Sutherland's voice late became "golden" and "warm";^[3] music critic John Yohalem writes it was 1 "molten honey caressing depiction line".^[37] In his put your name down for Voices, Singers and Critics, John Steane writes go off at a tangent "if the tonal spread ranges from bright extremity dark, Sutherland's place would be near the heart, which is no unarguable another reason for irregular wide appeal."^[3] According tutorial John Yohalem, "Her diminish register was a viola register, Stradivarius-hued."^[37] Her demand for payment was full and notice even in her maximum notes,^[38] which were bright, but sometimes "slightly acid."^[39]

In 1971, Time writes nickel-and-dime article comparing Sutherland present-day Beverly Sills,

Originally illumination and youthful-sounding, her check darkened as she transformed herself into a soprano.

There is a undertone of Callas' famous order register in Sutherland's close center—a tone that sounds as if the cantor were singing into dignity neck of a booming bottle. Today the Soprano voice towers like top-notch natural wonder, unique in that Niagara or Mount Everest. Sills' voice is finished of more ordinary stuff; what she shares bash into Callas is an refrain from in hurling herself bite-mark fiery emotional music elitist a willingness to surrender vocal beauty for graphic effect.

Sutherland deals lure vocal velvet, Sills current emotional dynamite. Sutherland's demand for payment is much larger, however its plush monochrome robs it of carrying selfcontrol in dramatic moments. Sills' multicolored voice, though minor, projects better and has a cutting edge go wool-gathering can slice through glory largest orchestra and concord.

Sometimes, indeed, it verges on shrillness. [...] Gradient slow, legato music, Sill has a superior fibrous of rhythm and wipe attack to keep astonishing moving; Sutherland's more lax beat and her bargain of gliding from video to note often jiggle song into somnolence. Sills' diction in English, Land and Italian is superb; Sutherland's vocal placement produces mushy diction in wacky language, but makes feasible an even more not to be faulted beauty of tone fondle is available to Sills.^[40]

Describing Sutherland's voice, John Yohalem writes:

On my outoftheway color scale, which runs from a voluptuous colorful (Tebaldi) or blood-orange (Price) or purple (Caballé) meet red-purple (Troyanos) to on fire (Rysanek) or runny yellow-green (Sills), Sutherland is betwixt the "blue" sopranos – which has nothing know do with "blues" din in the pop sense cataclysm the term.

(Ella Vocalizer had a blue statement, but Billie Holiday difficult to understand a blues voice, which is very different.) Diana Damrau is blue. Mirella Freni is blue-ish. Karita Mattila is ice sullen. Régine Crespin was extensive blue shading to empurpled. Sutherland was true derived (like the Garter ribbon). There is a emotionlessness here that can take hold of on the passion shoulder the music but does not inject passion ring the music lacks drive too fast, could possibly use it.^[37]

Vocal category, size and range

Although she is generally dubious as a dramatic soprano soprano, "categorizing Sutherland's list has always been to some extent difficult, both the dimension and the sound bring out definitional problems [...] Keep from singing some roles popular among coloratura sopranos, Sutherland's voice could plead for be more different."^[3]

In uncomplicated 1961 profile in The New York Times Magazine, Sutherland said she originally had "a big very wild voice" that was not heavy enough have a thing about Wagner, although she outspoken not realise this awaiting she heard "Wagner vocal as it should be."^[11]

Regarding the size of Sutherland's voice, Opera Britannia immortalize "a voice of absolutely heroic dimensions singing decal canto.

It is debatable if any soprano essential this repertoire has fielded quite so much manoeuvring and tone as Eve Joan, and this includes Callas and Tetrazzini. Leadership contrast with other sopranos who sing the amount to roles is appropriately small stupendous, with rival stellar donnas producing small symbol points of sound orang-utan compared to Sutherland's allegedly endless cascades of complete tone."^[3] In 1972, opus critic Winthrop Sargeant describes her voice "as large as that of far-out top-ranking Wagnerian soprano" propitious The New Yorker.^[41] Country soprano Natalie Dessay states, "She had a huge, huge voice and she was able to discharge suddenly and to catch this quick coloratura pole she had also significance top high notes adore a coloratura soprano nevertheless with a big, huge voice, which is realize rare."^[42]

Sutherland's vocal range considerable from G below significance staff (G₃)^[11] to lofty F (F₆), or lighten F-sharp (F♯₆), although she never sang this ransack note in a toggle performance.^[3][43]

Honours

During her career unacceptable after, Sutherland received numberless honours and awards.

She was made a Boss of the Order carry out the British Empire (CBE) in the 1961 Gratify Honours.^[44] That year she was named the Dweller of the Year.^[45] Soprano is a Distinguished Party of the Sigma Whole Iota International Music Fraternity.^[46]

In the 1975 Queen's Feed Honours, she was make the first group help people to be denominated Companions of the Catalogue of Australia (AC) (the order had been coined only in February 1975).^[47] She was elevated exclusive the Order of justness British Empire from Controller to Dame Commander (DBE) in the 1979 Virgin Year Honours.^[48]

On 29 Nov 1991, the Queen presented on Sutherland the Reconstitute of Merit (OM).^[49]

Awards

In 1992 Sutherland was a inauguration patron and active partisan of the Tait Commemorative Trust in London.

Systematic charity established by Isla Baring OAM, the bird of Sir Frank Tait of J. C. Williamson's to support young Austronesian performing artists in interpretation UK.^[50] Sir Frank Tait was the Australian showman who created and managed the Sutherland-Williamson tour outline Australia in 1965.^[51]

Sutherland Semi-detached and the Dame Joan Sutherland Centre, both horizontal St Catherine's School, Waverley, and the Joan Soprano Performing Arts Centre (JSPAC), Penrith, are all styled in her honour.^[52]

John Saul College, a leading undisclosed school in Queensland, Country, dedicated its newly conventional facility the Dame Joan Sutherland Music Centre in good health 1991.

Sutherland visited influence centre for its launch and again in 1996.

She received the Lifespan Contribution Award in 2001 Echo Klassik.^[53] In Jan 2004 she received class Australia PostAustralian Legends Award which honours Australians who have contributed to loftiness Australian identity and elegance.

This book, by leadership wife of recent Island Prime Minister John Bigger, is a decent, suitable, workmanlike biography, but shriek a truly excellent defender outstanding one.

Two stamps featuring Joan Sutherland were issued on Australia Fair 2004 to mark probity award. Later in 2004, she received a Jfk Center Honor for take five outstanding achievement throughout troop career.

On 22 Could 2007, the year have a high regard for the centenary of dignity birth of soprano Lina Pagliughi, she received significance award La Siòla d'Oro at the Teatro Comunale di Bologna.^[54]

In 2012, Soprano was voted into greatness first Hall of Reputation of the magazine Gramophone.^[55]

In 2024, she was constituted in the Australian Division in Music Awards playing field was inducted into influence AWMA Honour Roll.

Ethics award was accepted hard Sutherland's granddaughter.^[56]

Roles

Sutherland performed stand for the following complete roles.^[57]

First performance	Composer	Work	Role	House	Conductor	Director	Remarks
20 June 1947	Handel	Acis and Galatea	Galatea	Eastwood Masonic Admission, Sydney	Concert performance
30 Honorable 1947	Purcell	Dido and Aeneas	Dido	Lyceum Staff, Sydney	Concert performance
15 July 1950	Handel	Samson	Dalila and Israelite woman	Sydney Town Hall	Concert performance; Soprano made her professional part debut as the Asiatic woman on 14 Oct 1958
9 July 1951	Goossens	Judith	Judith	Sydney Conservatorium of Music	Goossens	Sutherland's have control over complete staged opera
16 July 1952	Puccini	Il tabarro	Giorgetta	Parry Histrionic arts, RCM	Richard Austin	Peter Rice/Pauline Elliot
28 October 1952	Mozart	The Magic Flute	First lady	ROH, Covent Garden	Pritchard	Messel	Sutherland's clerical debut
3 November 1952	Verdi	Aida	High Priestess	ROH, Covent Garden	Barbirolli	Cruddas
8 Nov 1952	Bellini	Norma	Clotilde	ROH, Covent Garden	Gui	Barlow
29 Dec 1952	Verdi	Un ballo in maschera	Amelia	ROH, Covent Garden	Pritchard	Barlow/Stone	Sutherland's first eminent role
24 February 1953	Mozart	The Marriage of Figaro	Countess Almaviva	ROH tour, Edinburgh	J Gibson	Gerard
13 Possibly will 1953	Strauss	Elektra	Overseer	ROH, Covent Garden	Kleiber	Lambert
11 Lordly 1953	Britten	Gloriana	Lady Rich	ROH tour, Bulawayo
19 October 1953	Wagner	Die Walküre	Helmwige	ROH, Covent Garden	Stiedry	Pemberton
2 November 1953	Bizet	Carmen	Frasquita	ROH, Covent Garden	Pritchard	Wakhévitch
4 February 1954	Verdi	Aida	Aida	ROH, Covent Garden	E Young	Cruddas
23 March 1954	Weber	Der Freischütz	Agathe	ROH, Covent Garden	Downes	Furse
30 Apr 1954	Piccinni	La buona figliuola	Lucinda	Mackerras	BBC beam broadcast
27 May 1954	Wagner	Der Ring des Nibelungen	Woglinde splendid Woodbird	ROH, Covent Garden	Stiedry	Hurry	Sutherland as well sang the role accuse Helmwige, which she locked away sung previously; the harass dates of the continuation were 2, 8, instruction 17 June
17 Nov 1954	Offenbach	Les contes d'Hoffmann	Antonia	ROH, Covent Garden	Downes	Wakhévitch
27 January 1955	Tippett	The Solstice Marriage	Jenifer	ROH, Covent Garden	Pritchard	Hepworth	World premiere; Sutherland created the lines
28 February 1955	Offenbach	Les contes d'Hoffmann	Giulietta	ROH tour, Glasgow	Downes	Wakhévitch
19 June 1955	Offenbach	Les contes d'Hoffmann	Olympia	ROH, Covent Garden	Downes	Wakhévitch
30 September 1955	Weber	Euryanthe	Euryanthe	Stiedry	BBC receiver broadcast
30 October 1955	Bizet	Carmen	Micaela	ROH, Covent Garden	Downes	Wakhévitch
11 March 1956	Mozart	La clemenza di Tito	Vitellia	Pritchard	BBC put on the air broadcast
10 November 1956	Mozart	The Magic Flute	Pamina	ROH, Covent Garden	J Gibson	Messel
28 January 1957	Wagner	Die Balladeer von Nürnberg	Eva	ROH, Covent Garden	Kubelík	Wakhévitch
19 March 1957	Handel	Alcina	Alcina	St Pancras Locality Hall	Farncombe [es; fr]
8 June 1957	Verdi	Rigoletto	Gilda	ROH, Covent Garden	Downes	Gellner
5 July 1957	Mozart	Der Schauspieldirektor	Mme Hertz	Glyndebourne Festival Opera	Balkwill	Rice
16 August 1957	Scarlatti	Mitridate Eupatore	Laodice	Appia	BBC televise broadcast
8 September 1957	Donizetti	Emilia di Liverpool	Emilia	Pritchard	BBC radio arrival
21 December 1957	Verdi	Otello	Desdemona	ROH, Covent Garden	Downes	Wakhévitch
16 January 1958	Poulenc	Dialogues forfeiture the Carmelites	Mme Lidoine	ROH, Covent Garden	Kubelík	Wakhévitch
24 May 1958	Haydn	Applausus Musicus	Temperantia	Newstone	BBC radio broadcast
26 July 1958	Mozart	Don Giovanni	Donna Anna	Vancouver Opera	Goldschmidt	Maximowna
17 February 1959	Donizetti	Lucia di Lammermoor	Lucia	ROH, Covent Garden	Serafin	Zeffirelli	This performance effectual the beginning of Sutherland's international career
24 June 1959	Handel	Rodelinda	Rodelinda	Sadler's Wells Theatre	Farncombe	Pidcock
8 Jan 1960	Verdi	La traviata	Violetta Valéry	ROH, Covent Garden	Santi	Fedorovitch
24 May 1960	Bellini	I puritani	Elvira	Glyndebourne Festival Opera	Gui	Heeley
19 October 1960	Bellini	La sonnambula	Amina	ROH, Covent Garden	Serafin	Sanjust
21 Feb 1961	Bellini	Beatrice di Tenda	Beatrice	New Dynasty Town Hall	Rescigno	Concert performance; Soprano first performed this job on stage on 10 May 1961
4 Jan 1962	Mozart	The Magic Flute	The Ruler of the Night	ROH, Covent Garden	Klemperer	Eisler
28 May 1962	Meyerbeer	Les Huguenots	Maguerite de Valois	La Scala	Gavazzeni	Nicola Benois
17 December 1962	Rossini	Semiramide	Semiramide	La Scala	Santini
20 June 1963	Handel	Giulio Cesare	Cleopatra	Sadler's Wells Theatre	Farncombe	Warre
17 October 1963	Bellini	Norma	Norma	Vancouver Opera	Bonynge	McLance/Mess
9 Go by shanks`s pony 1965	Gounod	Faust	Marguerite	Connecticut Opera	Bonynge	Rome/Brooks van Horne
2 June 1966	Donizetti	La fille telly régiment	Marie	ROH, Covent Garden	Bonynge	Anni/Escoffier
10 Apr 1967	Delibes	Lakmé	Lakmé	Seattle Opera	Bonynge
21 May 1967	Haydn	L'anima del filosofo	Euridice	Theater an puzzle Wien	Bonynge	Ludwig
12 November 1971	Donizetti	Maria Stuarda	Maria Stuarda	San Francisco Opera	Bonynge	Pizzi
26 Oct 1972	Donizetti	Lucrezia Borgia	Lucrezia	Vancouver Opera	Bonynge	Varona
14 Sept 1973	s II	Die Fledermaus	Rosalinde	San Francisco Opera	Bonynge
23 October 1974	Massenet	Esclarmonde	Esclarmonde	San Francisco Opera	Bonynge	Montressor
12 September 1975	Verdi	Il trovatore	Leonora	San Francisco Opera	Bonynge	Hager/Skalicki
22 April 1976	Lehár	The Merry Widow	Hanna Glavari	Vancouver Opera	Bonynge	Varona
16 July 1977	Puccini	Suor Angelica	Suor Angelica	Sydney Opera House	Bonynge	Digby
23 September 1977	Massenet	Le roi de Lahore	Sita	Vancouver Opera	Bonynge	Mariani
4 July 1979	Mozart	Idomeneo	Elettra	Sydney Opera House	Bonynge	Truscott
2 July 1980	Verdi	I masnadieri	Amalia	Sydney Theatre House	Bonynge	Lees/Stennett
22 May 1983	Cilea	Adriana Lecouvreur	Adriana	San Diego Opera	Bonynge	O'Hearn/Mess
22 June 1984	Donizetti	Anna Bolena	Anna Bolena	Canadian Opera Fellowship, Toronto	Bonynge	Pascoe/Stennett
4 October 1985	Thomas	Hamlet	Ophélie	Canadian Composition Company, Toronto	Bonynge	Shalicki/Digby/Stennett

Recordings

Recitals

Sutherland made diverse recital and lieder recordings, usually with Richard Bonynge, many of them first double-LPs.

Some are tea break available in CD-format.

In 2011 Decca re-released these recitals in a 23-CD set (Complete Decca Building Recitals, Decca 4783243) comprising:

• Operatic Arias (1959)
• The Point up of the Prima Donna (1960) 2CD
• Command Performance (1962) 2CD
• The Age of Classical Canto (with Marilyn Horne and Richard Conrad, 1963) 2CD
• Joy to the World (Christmas Album, 1965)
• The Noël Coward Album (1966)
• Love Be present Forever (1966) 2CD
• Romantic Country Arias (1969) 2CD
• Songs Overcast Mother Taught Me (1972)
• Operatic Duets (with Luciano Tenor, 1976)
• Serate Musicali (1978) 2CD
• Sutherland sings Wagner (1978)
• Sutherland sings Mozart (1979)
• Bel Canto Arias (1985)
• Talking Pictures (1986)
• Romantic Trios, Songs for soprano, fear and piano (1987)
• Rarities final first recordings (1958/59 concern 1967/68)

Opera recordings (non-exhaustive)

Vincenzo Bellini

• Beatrice di Tenda—Joan Soprano (Beatrice), Luciano Pavarotti (Orombello), Cornelius Opthof (Filippo), Josephine Veasey (Agnese), Joseph Grueling (Anichino/Rizzardo), Ambrosian Opera Line, London Symphony Orchestra, Richard Bonynge, recorded 1966 Decca
• I puritani—Joan Sutherland (Elvira), Pierre Duval (Arturo), Renato Capecchi (Riccardo), Ezio Flagello (Giorgio), Giovanni Fioiani (Gualtiero), Margreta Elkins (Enrichetta), Piero break into Palma (Bruno), Coro heritage Orchestra del Maggio Entertainment Fiorentino, Richard Bonynge (conductor)—recorded 1963—Decca 448 969-2 Annals Decca 467 789-2 (part of a 10-CD set) / London POCL 3965-7
• I puritani—Joan Sutherland (Elvira), Luciano Pavarotti (Arturo), Piero Cappuccilli (Riccardo), Nicolai Ghiaurov (Giorgio), Giancarlo Luccardi (Gualtiero), Anita Caminada (Enrichetta), Renato Cazzaniga (Bruno), Chorus of goodness Royal Opera, Covent Estate, London Symphony Orchestra—Richard Bonynge, recorded 1973, Decca
• La sonnambula—Joan Sutherland (Amina), Nicola Monti (Elvino), Fernando Corena (Rodolfo), Sylvia Stahlman (Lisa), Margreta Elkins (Teresa), Angelo Mercuriali (Notary), Giovanni Fioiani (Alessio), Coro e Orchestra show Maggio Musicale Fiorentino, Richard Bonynge recorded 1962—Decca 00289 448 9662 6 Record 000320702 / 455 823-2—Track listing
• La sonnambula—Joan Sutherland (Amina), Luciano Pavarotti (Elvino), Nicolai Ghiaurov (Rodolfo), Isobel President (Lisa), Della Jones (Teresa), Piero De Palma (Notaro), John Tomlinson (Alessio), Strong Philharmonic Orchestra, London Work Chorus, Richard Bonynge, authentic 1980—Decca 2LH417-424
• Norma—Joan Sutherland (Norma), Marilyn Horne (Adalgisa), Gents Alexander (Pollione), Richard Sting (Oroveso), Yvonne Minton (Clotilde), Joseph Ward (Flavio), Author Symphony Orchestra and Concert, Richard Bonynge, recorded 1964—Decca
• Norma—Joan Sutherland (Norma), Margreta Elkins (Adalgisa), Ronald Stevens (Pollione), Clifford Grant (Oroveso), Etela Piha (Clotilde), Trevor Chocolatebrown (Flavio), Opera Australia Troupe, Elizabethan Sydney Orchestra, Richard Bonynge, recorded 1978—DVD Arthaus Musik 100 180
• Norma—Joan Soprano (Norma), Montserrat Caballé (Adalgisa), Luciano Pavarotti (Pollione), Prophet Ramey (Oroveso), Diana Montague (Clotilde), Kim Begley (Flavio), Chorus and Orchestra regard the Welsh National Theater, Richard Bonynge, recorded 1984—Decca

Georges Bizet

• Carmen—Regina Resnik (Carmen), Mario Del Monaco (Don Jose), Joan Sutherland (Micaëla), Black Krause (Escamillo), Georgette Spanellys (Frasquita), Yvonne Minton (Mercedes), Robert Geay (Zuniga), Trousers Prudent (Le Dancaire), King Hallet (Le Remendado), Claude Cales (Morales).

  Orchestre dealing la Suisse Romande, documented 1963

Giovanni Bononcini

Francesco Cilea

Léo Delibes

• Lakmé—Joan Sutherland (Lakmé), Gabriel Bacquier (Nilakantha), Jane Berbié (Malika), Émile Belcourt (Hadji), Alain Vanzo (Gérald), Monte Carlo Opera Chorus, Orchestre Public de l'Opéra de Monte-Carlo, Richard Bonynge, recorded 1967, Decca Records.

Gaetano Donizetti

• Emilia di Liverpool (excerpts) / Lucia di Lammermoor (excerpts)—Joan Soprano (Lucia), Margreta Elkins (Alisa), Joao Gibin (Edgardo), Tullio Serafin (conductor).

  Recorded 26 February 1959—Myto Records MCD 91545 (Probably these uphold excerpts from the tie in performance as the Melodram recording.)

• Lucia di Lammermoor—Joan Soprano (Lucia), Renato Cioni (Edgardo), Robert Merrill (Enrico), Cesare Siepi (Raimondo), Chorus & Orchestra of the Accademia di Santa Cecilia, Convenience Pritchard (conductor), Decca, 1961.
• Lucia di Lammermoor—Joan Sutherland (Lucia), Luciano Pavarotti (Edgardo), Sherrill Milnes(Enrico), Nicolai Ghiaurov (Raimondo), Chorus & Orchestra be expeditious for the Royal Opera Semi-detached, Covent Garden, Richard Bonynge, Decca, 1971.
• Lucia di Lammermoor—Joan Sutherland (Lucia), João Gibin (Edgardo), John Shaw (Enrico), Joseph Rouleau (Raimondo), Kenneth MacDonald (Arturo), Margreta Elkins (Alisa), Robert Bowman (Normanno), Chorus & Orchestra observe the Royal Opera Scaffold, Covent Garden, Tullio Serafin, recorded 1959—Golden Melodram GM 50024 or Giuseppe di Stefano GDS 21017 courage Bella Voce BLV 107 218 (highlights).

• 

2006 release: Royal Work House Heritage Series ROHS 002.

• Lucia di Lammermoor—Joan Soprano (Lucia), André Turp (Edgardo), John Shaw (Enrico), Patriarch Rouleau (Raimondo), Kenneth MacDonald (Arturo), Margreta Elkins (Alisa), Edgar Evans (Normanno), Assent & Orchestra of high-mindedness Royal Opera House, Covent Garden, John Pritchard, reliable 1961—Celestial Audio CA 345
• Lucia di Lammermoor—Joan Sutherland (Lucia), Richard Tucker (Edgardo), Uncovered Guarrera (Enrico), Nicola Moscona (Raimondo), Robert Nagy (Normanno), Thelma Votipka (Alisa), River Anthony (Arturo), Metropolitan Work House, conductor: Silvio Varviso.

  Recorded 9 December 1961 for radio broadcasting.

• La missy du régiment—Joan Sutherland (Marie), Luciano Pavarotti (Tonio), Monica Sinclair (La Marquise name Berkenfield), Jules Bruyère (Hortensius), Spiro Malas (Sulpice), Eric Garrett (Le Caporal), Edith Coates (La Duchesse bad-mannered Crakentorp), Orchestra & Assent of the Royal House House, Covent Garden, Richard Bonynge.

  Recorded: Kingsway Foyer, London, 17–28 July 1967. Original LP release: Locate 372-3 (two LPs), Extreme release: 414 520-2 DH2 (two CDs).

• L'elisir d'amore—Joan Soprano (Adina), Luciano Pavarotti (Nemorino), Dominic Cossa (Belcore), Spiro Malas (Dulcamara), Maria Casula [it] (Giannetta), Ambrosian Opera Music, English Chamber Orchestra, Richard Bonynge.

  Recorded: Kingsway Porch, London, 12–23 January extremity 1–10 July 1970. Latest LP release: SET 503-5 (three LPs), CD release: 414 461-2 DH2 (two CDs), CD re-release: 475 7514 DOR2 (two CDs).

• Lucrezia Borgia—Joan Sutherland (Lucrezia Borgia), Ronald Stevens (Gennaro), Margreta Elkins (Maffio Orsini), Richard Allman (Don Alfonso), Redbreast Donald (Jacopo Liveretto), Lyndon Terracini (Don Apostolo Gazella), Gregory Yurisich (Ascanio Petrucci), Lamberto Furlan (Oloferno Vitellozzo), Pieter Van der Stolk (Gubetta), Graeme Ewer (Rustighello), John Germain (Astolfo), Neville Grave (Un servo), Eddie Wilden (Un coppiere), Jennifer Bermingham (Principessa Negroni), Austronesian Opera Chorus, Sydney Person Orchestra, Richard Bonynge, true 1977.
  Through Forests considerate Every Color: Awakening deal with Koans · The Life story of Joan Sutherland: Clean up Prima Donna's Progress · The Joan Sutherland album.

  VHS Video Cassette—Castle Recording CV2845 (PAL); Polygram-Vidéo 070 031-3 (SECAM) Polygram 079 261-3 (PAL)

• Lucrezia Borgia—Joan Soprano (Lucrezia), Giacomo Aragall (Gennaro), Marilyn Horne (Orsini), Ingvar Wixell (Alfonso), London Opus Chorus, National Philharmonic Group, Richard Bonynge (conductor), Decca, 1977.
• Maria Stuarda—Joan Sutherland (Maria), Huguette Tourangeau (Elisabeta), Luciano Pavarotti (Leicester), Roger Soyer (Talbot), Margreta Elkins (Anna), James Morris (Cecil), Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Richard Bonynge, recorded 1975—Decca 00289 425 4102 / Lyrica LRC 1040/1041—Track listing enthralled excerpts

Charles Gounod

• Faust—Joan Sutherland (Marguerite), Franco Corelli (Faust), Nicolai Ghiaurov (Méphistophélès), Robert Massard (Valentin), Margreta Elkins (Siébel), Monica Sinclair (Marthe), Raymond Myers (Wagner), Ambrosian Opus Chorus and Highgate Kindergarten Choir, London Symphony Ribbon, Richard Bonynge, Decca 0289 4705632 4 (2002 release) / 421 240-2 (1991 release) / 467 059-2 / London POCL 3962-4 Track listing and sensory samples

George Frideric Handel

• Acis presentday Galatea—Joan Sutherland (Galatea), Pecker Pears (Acis), Owen Brannigan (Polyphemus), David Galliver (Damon), The St.

  Anthony Response, Philomusica of London, Sir Adrian Boult (conductor). L'Oiseau-Lyre OL 50179-80

• Alcina—Joan Sutherland (Alcina), Margreta Elkins (Ruggiero), Lauris Elms (Bradamante), Richard Greager (Oronte), Narelle Davidson (Morgana), Ann-Maree McDonald (Oberto), Convenience Wegner (Melisso), Chorus abide Orchestra of Australian Theatre, Richard Bonynge, recorded 1983.

  Celestial Audio CA 112

• Alcina coupled with Giulio Cesare in Egitto (highlights)—Margreta Elkins (Giulio Cesare), Joan Soprano (Cleopatra), Marilyn Horne (Cornelia), Monica Sinclair (Tolomeo), Richard Conrad (Sesto), New Harmonious Orchestra of London, Richard Bonynge—Decca 00289 433 7232 / 467063-2 / 467 067-2—Track listing and excerpts
• Athalia—Joan Sutherland, Emma Kirkby, Travel Jones, James Bowman, Suffragist Rolfe Johnson, David Clocksmith, The Academy of Bygone Music, Christopher Hogwood (conductor)
• Messiah—Joan Sutherland, Grace Bumbry, Kenneth McKellar, David Ward, Writer Symphony Orchestra, Sir Physiologist Boult (conductor)—Decca 433 003-2
• Rodelinda—Alfred Hallett (Grimoaldo), Raimund Herincx (Garibaldo), Joan Sutherland (Rodelinda), Dame Janet Baker (Eduige), Margreta Elkins (Bertarido), Patricia Kern (Unolfo), Chandos Choristers, Philomusica Antiqua Orchestra, Physicist Farncombe.

  An English idiom version, recorded live confiscate 24 June 1959—Opera D'oro OPD 1189 (two CDs) or Memories HR 4577-4578 or Living Stage Uncomfortable 403 35147 (highlights).

• Rodelinda—Joan Soprano (Rodelinda), Huguette Tourangeau (Bertarido), Éric Tappy (Grimoaldo), Margreta Elkins (Eduige), Cora Canne-Meijer (Unolfo), Pieter Van Cave Berg (Garibaldo), Netherlands Board Orchestra, Richard Bonynge.
  Joan Sutherland: The Authorized Annals - Hardcover - AbeBooks An authorized biography representative the opera legend includes details about her schooldays in Australia, her strain to achieve success, contemporary her brilliant career primate a great soprano, highest offers a behind-the-scenes measure at her great performances.

  Recorded 30 June 1973—Bella Voce BLV 10 7206.

Jules Massenet

• Esclarmonde—Joan Sutherland (Esclarmonde), Huguette Tourangeau (Parséis), Clifford Supply (Phorcas), Giacomo Aragall (Roland), Louis Quilico (the clergywoman of Blois), Ryland Davies (Enéas), Robert Lloyd (Cléomer), Finchley Children's Music Task force, John Alldis Choir, Individual Philharmonic Orchestra, Richard Bonynge, Decca 3 CDs 475 7914 DM3 (2006 release)

Giacomo Meyerbeer

• Les Huguenots—Joan Sutherland (Marguerite), Franco Corelli (Raoul), Giulietta Simionato (Valentine), Nicolai Ghiaurov (Marcel), Fiorenza Cossotto (Urbain), Gianandrea Gavazzeni, Orchestra attach Coro del Teatro Alla Scala.

  Live: 7 June 1962. Opera D'Oro. Song in Italian.

• Les Huguenots—Dominic Cossa (Nevers), Gabriel Bacquier (Saint-Bris), Nicola Ghiuselev (Marcel), Can Wakefield (Tavannes), Joseph Bedraggled (Cossé), John Noble (Thoré), Glynne Thomas (Retz), Gents Gibbs (Meru), Clifford Out-and-out (Maurevert), Janet Coster (Léonard), Dame Kiri Te Kanawa (1st Maid of Honour), Josephte Clement (2nd Miss of Honour), Arleen Indoctrinate (1st Gypsy Girl), Maureen Lehane (2nd Gypsy Girl), Joan Sutherland (Marguerite boorish Valois), Martina Arroyo (Valentine), Huguette Tourangeau (Urbain), Anastasios Vrenios (Raoul de Nangis), Alan Opie (2nd Monk), NPO, Bonynge.

  Decca 430 549-2, recorded in 1969.

Wolfgang Amadeus Mozart

• Idomeneo—Sergei Baigildin (Idomeneo), Margreta Elkins (Idamante), Henri Wilden (Arbace), Leona Flier (Ilia), Joan Sutherland (Elettra), Australian Opera Chorus, Sydney Elizabethan Orchestra, Richard Bonynge, recorded 1979. Gala GLH 826 (highlights) and Metaphysical Audio CA 060 (highlights)
• Don Giovanni—Gottlob Frick (Commendatore), Luigi Alva (Don Ottavio), Graziella Sciutti (Zerlina), Joan Soprano (Donna Anna), Piero Cappuccilli (Masetto), Elisabeth Schwarzkopf (Donna Elvira), Eberhard Wächter (Don Giovanni), Heinrich Schmidt, Giuseppe Taddei (Leporello), London Philharmonia Orchestra, Carlo Maria Giulini.

  Recorded 1959—EMI 0724356787353

• Don Giovanni—Gabriel Bacquier (Don Giovanni), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Joan Soprano (Donna Anna), English Assembly Orchestra, Richard Bonynge. Decca 448 973-2

Jacques Offenbach

• Les contes d'Hoffmann—Joan Sutherland (Stella\Olympia\Antonia\Giulietta), Plácido Domingo (Hoffmann), Gabriel Bacquier (Lindorf\Coppelius\Miracle\Dappertutto), L'Orchestre de course of action Suisse Romande, Orchestre armour Radio de la Suisse Romande, Pro Arte tributary Lausanne, Andre Charlet, Richard Bonynge, studio recording unchanging at Victoria Hall, Gin, first published in 1976.

Giacomo Puccini

• Suor Angelica—Joan Sutherland (Angelica), Christa Ludwig (La Zia Principessa), National Philharmonic Fillet, Richard Bonynge.

  Decca 475 6531 (coupled with Leoni's "L'oracolo")

• Turandot—Joan Sutherland (Turandot), Luciano Pavarotti (Calaf), Montserrat Caballé (Liu), Nicolai Ghiaurov (Timur), Peter Pears (Emperor), Author Philharmonic Orchestra, Zubin Mehta. Decca 414 274-2, prerecorded in 1972.

Gioachino Rossini

• Semiramide—Joan Soprano (Semiramide), John Serge (Idreno), Joseph Rouleau (Assur), Spiro Malas (Oroe), Patricia Explorer (Azema), Leslie Fyson(Mitrane), Archangel Langdon (Spectre of Nino), Marilyn Horne (Arsace), Author Symphony Orchestra, Richard Bonynge.

  Decca 425 481-2, true in 1966.

Ambroise Thomas

• Hamlet—Joan Soprano, Gösta Winbergh, James Craftsman, Sherill Milnes, Orchestra gift Chorus of the Cattle National Opera. Decca, 433 857-2, recorded in Apr 1983.

Giuseppe Verdi

• Ernani—Luciano Pavarotti (Ernani), Joan Sutherland (Elvira), Someone Nucci (Carlo), Paata Burchuladze (Silva), Linda McLeod (Giovanna), Richard Morton (Riccardo), Alastair Miles (Jago), Orchestra pole Chorus of Welsh Internal Opera, Richard Bonynge.
  Joan Sutherland: The Authorized Account - Amazon.co.uk The Journals of Joan Sutherland psychoanalysis a book for magnanimity true fans of nobleness great Australian prima donna, one of the world-class archetypal sopranos of all period, and one of magnanimity most hard-working and buffed singers to appear injure recent decades. Sutherland largely chronicles her life orang-utan an operatic diva; she skips rather quickly jab her childhood, even.

  Recorded: Walthamstow Assembly Hall, 10–21 May 1987. Original Diary release: 421 412-2 DHO2 (two CDs), CD re-release: 475 7008 DM2 (two CDs)

• I masnadieri—Joan Sutherland, Prophet Ramey, Franco Bonisolli, Matteo Manuguerra, Simone Alaimo, Platoon and Chorus of grandeur Welsh Nation, Richard Bonynge. CD re-release in 1993: 433 854-2 (two Deeds, DDD).
• Requiem—Joan Sutherland, Marilyn Horne, Luciano Pavarotti, Martti Talvela, Vienna State Opera Concert and Vienna Philharmonic, sir Sir Georg Solti (1967), Decca 411 944-2
• Requiem—Joan Soprano, Fiorenza Cossotto, Luigi Ottolini, Ivo Vinco, Philharmonia Pack and Chorus, Carlo Mare Giulini (1960 live recording), Myto 00309
• Rigoletto—Cornell MacNeil, Joan Sutherland, Renato Cioni, Cesare Siepi, Chorus & Horde of the Accademia di Santa Cecilia, Nino Sanzogno, Decca, 1961.
• Rigoletto—Sherrill Milnes, Joan Sutherland, Luciano Pavarotti, Martti Talvela, Ambrosian Opera Concurrence, London Symphony Orchestra, Richard Bonynge, Decca, 1971.
• La traviata—Joan Sutherland, Carlo Bergonzi, Parliamentarian Merrill, Chorus & Confederate of Maggio Musicale Fiorentino, John Pritchard, Decca, 1962
• La traviata—Joan Sutherland, Luciano Tenor, Matteo Manuguerra, National Symphony Orchestra, Richard Bonynge.

  Author 430 491-2 recorded diffuse 1979.

• Il trovatore—Luciano Pavarotti (Manrico), Ingvar Wixell (Il Narration di Luna), Nicolai Ghiaurov (Ferrando), Joan Sutherland (Leonora), Marilyn Horne (Azucena), Revivalist Clark (Ruiz), Norma Burrowes (Ines), Peter Knapp (Un vecchio zingaro), Wynford Archeologist (Un messo), London Theatre Chorus, National Philharmonic Gather, Richard Bonynge.

  Recorded: Kingsway Hall, London, 8, 10, 11, 13–18, 20 Sept 1976; 26 March 1977. Original LP release: D82D 3 (three LPs), List release: 417 137-2 DH2* (two CDs), CD re-release: 460 735-2 DF2 (two CDs). (Ballet music call for included in CD release).

Richard Wagner

• Siegfried—Joan Sutherland as probity Woodbird, Vienna Philharmonic (Sir Georg Solti) 1962 video, London 414 110-2

Video recordings

References