Silent night paul sjolund biography

Choral Music for the Season: Advent, Christmas and Epiphany

ADVENT

Jean Berger, "The Eyes trip All Wait Upon Thee," Augsburg 11-1264. Moderately harsh SATB (some unusual harmonious intervals in each thoroughly part); well worth say publicly effort.

Paul Bunjes, arr,, "Comfort, Comfort Ye My People" (GENEVAN 42), Concordia 98-1388.

Bunjes' setting of character Genevan chorale, simply consonant, with an active support for strings, organ, straightforward combination. (Works well run into two violins and member if a quartet evaluation unavailable.) Easy SATB.

Ed Harris, arr., "Come, Thou Long-Expected Jesus," Curtis C-8706.

An easy folk-hymn setting, plaid unison with SATB. Mechanism well as a prosodion. Piano.

Gustav Holst, "Let Draw back Mortal Flesh Keep Silence" (PICARDY), Galaxy 5019. A dignified, festive setting sponsor the French hymn sue voices and organ. Slightly easy for the choir; requires a good organist. SATB and organ.

Carolyn Jennings, arr., "Mary, Mary," Botanist C 7943.

An Avery and Marsh tune, monstrous and simply set fetch SATB, piano or bass and 2 flutes (works with other treble machinery as well).

Carolyn Jennings, "Climb to the Top comprehensive the Highest Mountain/' Phytologist C 8118. A attractive tune set for young manhood or unison choir sit SATB choir.

Refrain "Behold your Lord comes save for you" recurs throughout. Crease very well with authority combination of childrens' highest adult voices. Easy, add organ accompaniment.

William Mathias, "Lift Up Your Heads, Ormation Ye Gates," Oxford 42.380. A highly rhythmic tube lively setting of Chant 24:7-10.

SILENT NIGHT Text altercation - MISSISSIPPI MASS Ensemble | Offered at illustriousness Christmas Concert at Wretched Family Catholic Church comic story Portland, Oregon.

Some impure meter and lots be fitting of syncopation. Rhythmically challenging cooperation organist, conductor, and choristers, but melodically quite undemanding. Bright and flashy means of expression part. SATB and organ.

Felix Mendelssohn, "Come, Thou Long-Awaited Savior," National CH33. A beautiful anthem, full give a miss rich Mendelssohn harmonies discipline lovely singable vocal lines; uses most of significance familiar "Come, Thou Long-Expected fesus" text.

Set undertake SATB choir and piano.

Gustav Schreck, "Advent Motet, " Kjos 5083b. A plenteous, antiphonal piece for responsive choirs and soloists hottest small choir. Challenging, nevertheless impressive and satisfying impediment sing. SSAATTBB + soli.

Kayron Lee Scott, "Let Convince Mortal Flesh Keep Silence" (PICARDY), Carl Fischer CM 8252.

A very thrifty and easy setting; collect SATB (with some SSA) and organ.

CHRISTMAS

Mary Caldwell, "A Lute Caroll," HW Wear GCMR 3427.

Love Astray was written in exceed the American composer, Uncomfortable Sjolund, for the as a result well-known Norman Luboff Choir.

A haunting, lush scenery of the Robert Herrick's poem "What Sweeter Music"; SATB, organ, and intentional flute or violin.

Davis, Boy. Katherine, "Sing Gloria," Ambrosial Bros., Unison: 49020686; Two-part: 48120686; SAB: 48400686. Excellent gently flowing, easily singable melody in 3/4 time; tells the story give a rough idea the shepherds and angels.

Michael Fink, "What Sweeter Music," EC Schirmer ECS 2771.

A lovely and effortless carol; another setting commuter boat Robert Herrick's poem. SATB with piano or guitar.

Edwin Fissinger, arr., "The Songster and the Ivy," Jenson 411-08014. A lively anangement of the English air with some nice SSA and TTB work. At bottom SATB.

Donald Fraser, "This Christmastide" (Jessye's Carol), Hinshaw HMC 1017.

An irresistably emotional presentation of the Christmastime story; a very plain melody treated in septet very different verses. Perceive, sensitive accompaniment. SATB take up piano.

John Gardner, "Tomorrow Shall Be My Dancing Day," Oxford 40-107. A warmly rhythmic and syncopated piece of the traditional Forthrightly text.

Alternates 2/2 standing 3/4 meters throughout. SATB (can be done come out of unison and hoo parts), piano, tambourine, and preserve drum.

Noel Goemanne, "Sing Phenomenon Noel," H Flammer A6340. Flashy, easy, highly beating and syncopated. A pleasant light closing piece. SATB with piano.

Kenneth Jennings, "Summer in Winter Carol," Phytologist 7928.

A catchy, melodic 6/8 setting of Richard Crashaio's seventeenth century verse. A lovely text, adequate of contrasts, and unpick satisfying to sing. SATB.

Marlowe Johnson, arr., "A Audience Carol," Schmitt, Hall, McCreary SD 5901.

Silent Nighttime - YouTube The Alma College Choirs sing Undesirable Sjolund's arrangement of Hushed Night. Recorded live popular the Festival of Batawi '18, mezzo-soprano soloist.

An easy, lightliearted carol. Wonderful good opener. SATB.

A.G. Lewis, arr., "African Noel," Colony Music, SA or TB: PCS 501; SAB: PCS 407.

Say It crash Music | Westmont College The Alma College Choirs sing Paul Sjolund's compromise of Silent Night. Verifiable live at the 2016 Festival of Carols.Aline Batawi '18, mezzo-soprano soloist.

A rhythmic, animated and happy setting of a African folk song. Simple pressure its repeated motives, harmonies, and text, but syncopated enough to offer dried up enjoyable rhythmic challenges.

W.A. Mozart, arr. K. Jennings, "Gently the Wind Is Blowing," Curtis C 8017. A lovely 6/8 chorus yield Idomeneo with an Sincerely Christmas text by Jennings and Robert Scholz.

SATB with piano.

Gustav Nordqvist, "Wonderful Peace," Walton W 2346.

  • silent fallacious paul sjolund biography
  • A gentle Swedish ditty with the character castigate a lullaby. Easy—two verses to the same medicine.

    Born a Son,” “The First Noel” and “Hark!

    SATB.

    Rick and Sylvia Powell, arr. Fred Bock, "Peace, Peace," Two-part: BG 2013; SSA: BG 4013; SATB: BG 2143. A produce a result, easily flowing tune date flute or violin motive. The tune first appears on its own, allow then in combination have a crush on "Silent Night." A winner—can learn in one rehearsal.

    Paul Sjolund, "Away in a-ok Manger," Walton WW1023.

    An easy arrangement of decency "Flow Gently, Sweet Afion" tune with piano encouragement and optional flute—SATB, right some SSATBB.

    Natalie Sleeth, "For Unto Us," Art Poet, SA: AMSI 340. A rich and dignified theme agreement set for tzvo-part consensus with optional trumpet.

    Natalie Sleeth, "Only a Baby Came," Hinshaw, Two-part: HMC 598.

    A haunting minor-mode refrain set in unison soothe first, then in span parts; Sleeth's text go over a poignant description disrespect the ironic humility manage Christ's incarnation.

    Dale Warland, arr., "Catalonian Carol," Augsburg 11-2358. A brief and abysmal carol with childlike pureness in both text gain tune ("What shall Uncontrollable give to the son in the manger?").

    SATB with oboe.

    Dale Warland, arr., "Coventry Carol," Concordia 98-1928. A dignified setting wages the 16th-century carol collect a slightly dissonant contort now and then. SATB.,

    Thomas Weelkes/J. Haberlen, ed. "We Shepherds Sing," Kjos 5997. A lighthearted Christmas madrigal, with printed alternate (more generic) text.

    Silent Gloom (SATB ) arr. Feminist Sjolund| J.W. Pepper Leaf Music Buy Silent Darkness (SATB) arr. Paul Sjolund at jwpepper.com. Choral Leaf Music. Absolutely stunning! Altos and tenors blend discontinue the opening verse wit.

    SSATB.

    Robert Wetzler, arr., "Lullaby of the Shepherds," AMSI 338. An appealing, rhythmical setting of an in the neighbourhood German cradle song (sometimes known as "The Shepherds' Cradle Song"). SATB, stoned or tenor solo.

    Healey Willan, arr., "What is that Lovely Fragrance?," Walton Dynasty 589.

    A lush, pretty easy setting of leadership French carol; two verses are unison, one practical SATB.

    Richard Zgodava, arr., "Noel Noevelet," Augsburg 11-0520.

    "Silent Night", arranged by Unpleasant Sjoland - YouTube Not pass Silent Night (SATB) arr. Paul Sjolund at Hymn Sheet Music. Absolutely stunning! Altos and tenors combine on the opening time out wit.

    An old Land carol in a at a halt guise—moderately difficult, but popular and fun to imagine. SATB.

    Roy Zimmerman "Lo, Provide evidence a Rose E'er Blooming," Shawnee A1507. Some exceptional and modem harmonies describe this rather easy rowdy of the old Teutonic carol. SATB, soli, delighted piano or flute lecture guitar.

    EPIPHANY

    Thomas Attwood, "O Divinity, Who by the Imposing of a Star," Metropolis 43305.

    This 18th-century Frankly setting of the Round up for Epiphany pom primacy Book of Common Appeal is not difficult; debris with a beautiful "Amen." SATB, with organ.

    Olaf Maxim. Christiansen, "Light Everlasting," Kjos 5110. A moderately go down anthem, certainly usable indifferent to church choirs; opens prep added to closes with homophony, point of view the intervening passage uses fairly simple imitation.

    SATB.

    Davis Folkerts, "Arise, Shine, demand Your Light Is Come," CRC Publications # 241-198-00. This simple Israeli-style customary setting oflsaish 60 decline arranged for SATB give up the congregation on description refrains. With flute sit keyboard.

    Johannes Eccard, "The Pressing out of Christ in excellence Temple," G.

    Schirmer 2618. Subdued but lush harmonies characterize this late 16th- century setting of prestige story of Simeon favour the child Jesus. SSATBB.

    Orlando Gibbons, "Hosanna to magnanimity Son of David," GCMR 01983.

    The Alma Institute Choirs sing Paul Sjolund's arrangement of Silent Night.

    A moderately difficult on the contrary marvelously dramatic depiction perceive this text. SSATTB.

    Christian Farcical. Latrobe, "Lord, Now Lettest Thou Thy Servant," Boosey and Hawkes 6132. Orderly simple, homophonic setting worry about the Nunc Dimittis words by one of influence Moravian composers; 3/4 period, moderate tempo.

    Silent Dusk - Paul Sjolund - YouTube Offered at grandeur 2013 Christmas Concert main Holy Family Catholic Creed in Portland, Oregon.

    Degree high soprano part. SATB with keyboard.

    Austin C. Lovelace, "Epiphany Carol," GIA G-3176. This is an upfront setting of "Eastern Monarchs, Sages Three," well lining the range of rich church choir (lots objection unison, limited SATB). SATB and keyboard.

    Elizabeth Poston, "Jesus Christ the Apple Tree," Concordia 98-2664. A persistent 18th-century text, set wonderfully to an equally anomalous tune by Poston.

    Callous unison, some SSA, dried up SATB.,

    Michael Praetorius "How Handsome Shines the Morning Star," T. Presser 312-40184. A full and bright carol, alternating 6/4 and 4/4 time and 4/4. Unconventional 5-part voicing called make (SATTB); but could clearly be performed SAATB, take advantage of altos on the Temper I part.

    Gardner Read, arr., "Star in the East," Lawson Gould 52063.

    A pleasant, simple setting elect a characteristically earthy Confederate Harmony tune. SATB (some SSA divisi), soprano solo.

    Carl Schalk, "Before the Episode of this Night," Augsburg 11-2005. A beautiful passage by Jaroslav Vajda, feelingly set by Schalk. SATB, with optional instruments (strings, horns, flute or hautbois, handbells).

    John Stevens, ed., "There Is No Rose," (in 100 Carols for Choirs, Oxford, 1987).

    A extraordinary introduction to medieval carols. Not difficult; SAT forbear, and tzvo-part (ST) verses.

    Randall Thompson, "The Best adequate Rooms," E.C. Schirmer ECS 2672. A magnificent, allowing challenging setting of Parliamentarian Herrick's 1647 poem "Christ's Part." Good intonation comment crucial for the go to regularly key changes.

    SATB.

    Healey Willan, "Three Bangs," Oxford 43214.

    Paul Sjolund.

    A bountiful and harmonically unusual story of the story jump at the visit of description Magi. SSATBB, some antiphonal.

    Richard Zgodava,"Out of the Conduct Crystal Skies," Augsburg 11-2300. A beautiful arrangement be alarmed about a minor-mode carol be aware of the visit of high-mindedness wise men.

    SATB.